ATLANTA

I cut and assemble paper clippings, paying attention to what forms emerge as the material moves through the process.

I’m interested in the lack of pressure we put on what is leftover. Once a project is complete, the rules loosen. Decisions become less precious, and accidents are allowed to happen. In that space, materials behave more honestly.

There’s a practical recycling aspect to the work, but it’s less about sustainability as a statement and more about using what already exists to create something new. That transformation—of materials carrying history, wear, and intention—is an act of quiet alchemy, where value is not added but revealed.