ATLANTA

I make paper collages from cut shapes that land somewhere between structure and chaos. A stairway, a bracket, the corner of a chair—forms pulled from architecture, machinery, and furniture—are stacked, rotated, and dropped into loose arrangements that feel both planned and accidental. Some compositions resemble broken diagrams, others feel like floor plans gone wrong.

This mix of order and mess reflects how we navigate identity—trying to hold onto who we are while reshaping ourselves to fit what’s expected. My work leans into that tension. The pieces don’t aim to resolve anything. They just layer, shift, and sit with the contradictions.